Saturday, March 15, 2025

Review: Uncle Vanya at Berkeley Rep

Inna purchased tickets to Berkeley Rep's new production of Chekhov's Uncle Vanya. We were pleasantly surprised and have not been to Berkeley Rep for a long time. Berkeley itself was also cleaner than the last time I had visited.

We really enjoyed this dramatic performance, and the acting by  Hugh Bonneville was excellent (as expected).

Here are more details about Uncle Vanya (courtesy of Perplexity AI):

Uncle Vanya, written by Anton Chekhov, is a play that explores themes of unrequited love, disillusionment, and the search for meaning in a rural Russian setting. The story revolves around the Serebryakov family estate, where Ivan "Uncle Vanya" Voynitsky has managed the property for years to support his brother-in-law, Professor Alexander Serebryakov, and his daughter, Sonya.

Key Characters and Plot Points

  • Professor Serebryakov: A retired academic who was once renowned but now seems less impressive. He arrives at the estate with his young wife, Yelena, causing tension among the household members.

  • Yelena: Serebryakov's beautiful and much younger second wife, who becomes the object of affection for both Vanya and the local doctor, Mikhail Astrov.

  • Sonya: Serebryakov's daughter, who harbors unrequited feelings for Astrov.

  • Mikhail Astrov: A country doctor who is passionate about environmental conservation and struggles with his own ennui.

Plot Summary

The play unfolds as follows:

  1. Act I: The story begins with Astrov and Marina discussing the monotony of life. Vanya expresses his frustration with Serebryakov's visit and his own unrequited love for Yelena. Astrov leaves to attend to a patient, highlighting his passion for preserving forests.

  2. Act II: Several days pass, and tensions rise as Serebryakov complains about his health. Astrov returns, and Vanya confesses his love to Yelena, who rejects him. A storm sets in, mirroring the emotional turmoil within the household.

  3. Act III: Serebryakov announces his plan to sell the estate to invest in a more lucrative venture, intending to buy a villa in Finland. This decision enrages Vanya, who feels betrayed and realizes he has wasted his life supporting Serebryakov. In a fit of rage, Vanya attempts to shoot Serebryakov but misses twice.

  4. Act IV: After the confrontation, Serebryakov and Yelena prepare to leave. Vanya, feeling defeated, contemplates suicide but is dissuaded by Sonya and Astrov. The play concludes with Vanya and Sonya returning to their routine, finding solace in the idea that their lives might be better in the afterlife.

Throughout the play, Chekhov explores themes of disillusionment, regret, and the futility of human desires, leaving the characters in a state of unresolved emotional turmoil.


Uncle Vanya Review

Highlights

  • Excellent acting by everyone (and especially Hugh Bonneville)
  • A plot with many layers

Lowlights

  • The set was a bit spartan

 

BY ANTON CHEKHOV
ADAPTED BY CONOR MCPHERSON
DIRECTED BY SIMON GODWIN
A CO-PRODUCTION WITH THE SHAKESPEARE THEATRE COMPANY
PEET’S THEATRE

Production information

Runtime: Two hours and 30 minutes including one 15-minute intermission

Stage effects advisory: Haze, flashing lights, gunshots, and glass-breaking

Content advisory: Violence and gunshots

 

Cast
(in order of appearance)

Kina Kantor | Ensemble

Nancy Robinette | Marína Timoféevna

John Benjamin Hickey | Mikhaíl Ástrov

Sharon Lockwood | Maríya Voinítsky

Hugh Bonneville | Iván Voinítsky

Tom Nelis | Aleksándr Serébryakov

Craig Wallace | Ílya Ílyich Telégin

Melanie Field | Sófya Aleksándrovna

Ito Aghayere | Eléna Andréevna

 

Understudies

Anne Darragh | Maríya Voinítsky, Marína Timoféevna

Kina Kantor | Eléna Andréevna, Sófya Aleksándrovna

James Whalen | Iván Voinítsky, Mikhaíl Ástrov, Ensemble

John Leslie Wolfe | Aleksándr Serébryakov, Ílya Ílyich Telégin

 

Creative team

Anton Chekhov | Playwright

Conor McPherson | Adaptor

Simon Godwin | Director

Robert Brill | Scenic Design

Susan Hilferty | Co-Costume Design

Heather C. Freedman | Co-Costume Design

Jen Shriever | Lighting Design

Darron L. West | Sound Design

Satellite Wigs, Inc. | Wig Design

Danielle O’Dea | Fight and Intimacy Consultant

Danica Rodriguez | Casting

Karina Fox | Casting

Elisa Guthertz | Stage Manager

Christina Hogan | Assistant Stage Manager

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