Review: Fiddler on the Roof at the San Jose Center for the Performing Arts

The sorry state of the world gives us a new reason to appreciate the depth of feeling so powerfully, so ingeniously embedded in "Fiddler on the Roof," the much-loved and much-revived 1964 musical comedy that is touring the country and visiting San Jose from May 21 - 26, 2019.

The touring production, currently playing at the San Jose Center for the Performing Arts, certainly honors the show's ebullience of spirit, as embodied in the central character of the Jewish milkman Tevye, living in a Russian shtetl in the early 20th century, eternally wagging his tongue, shaking his fist and cracking wise at an indifferent God.

The score, by Jerry Bock (music) and Sheldon Harnick (lyrics), enters your bloodstream indelibly upon a single hearing, so rousing are its songs of celebration, so beautiful the melodies of its songs of love and loss — two sides, for Tevye, of the same coin.

Yehezkel Lazarov is responsible for Tevye's role. Mr. Lazarov unleashes his rich baritone with roof-raising force when Tevye's emotion is at its height, bringing home the character's indomitable will, often hidden beneath his self-deprecating humor and sorely tried by his rebellious daughters. Mr. Lazarov's way with a classic Jewish joke is assured but unforced, his performance affecting but not overscaled, in keeping with the production's emphasis on the musical's emotional underpinnings rather than the frosting of shticky comedy. 

The famous violin solo is heard, and the stage is filled with the people of Anatevka singing the electrifying opening number, "Tradition," which defines the central theme, the tension between honoring the past and accepting progress.

For Tevye, the conflict is a matter of daily headaches, given that three of his five daughters are approaching marrying age, and each proves unwilling to obey the longstanding tradition of arranged weddings. Tevye's wife, Golde, brings her performance a moving, careworn quality. Golde seems forever to be slightly stooped with work or worry and is plaintively dismayed at Tevye's ability to see both sides — or several sides — of an issue. (His constant invoking of the phrases "on the one hand" and "on the other hand" is a lovable running gag.)

Cast

• Tevye (a dairyman) - Yehezkel Lazarov
• Golde (his wife) - Maite Uzal
• Tzeitel (eldest daughter) - Mel Weyn
• Hodel (2nd oldest daughter) - Ruthy Froch
• Chava - Natalie Powers
• Shprintze - Danielle Ellen
• Bielke - Emerson Glick
• Yente (a matchmaker) - Carol Beaugard 
• Motel (a tailor) -  Jesse Weil
• Perchik (a student) - Ryne Nardecchia
• Lazar Wolf (a butcher) - Jonathan Van Mering
• Mordcha - Danny Arnold
• Rabbi - Michael Hegarty
• The Fiddler - Paul Morland

Musical Numbers

Act One

• "Prologue: Tradition"
• "Matchmaker"
• "If I Were a Rich Man"
• "Sabbath Prayer"
• "To Life"
• "Tevye's Monologue"
• "There's a Dream"
• "Sunrise, Sunset" (The BEST song of the whole show)
• The Wedding

Act Two

• Entr'acte
• "Now I Have Everything"
• Tevye's Monologue (reprise)
• "Do You Love Me?"
• "The Rumor"
• "Far From the Home I Love"
• "Chavaleh"
• "Anatevka"

Fiddler on The Roof Report Card

Positives

• Excellent fiddle playing
• Excellent stage decorations
• One of the BEST Musicals of all time!

Negatives

• Yehezkel Lazarov is not as good as Danny Bernstein (who plays Tevye on Broadway)