Tuesday, March 17, 2026

Scholarly Padua (March 17)

At around 09:40, we started our 32-minute drive from Abano Terme to Padua. I had booked an 11:30 English-speaking tour for the University of Padua, and a 17:00 showing of the Giotto frescoes in the Cappella degli Scrovegni.

We selected the Park Padova Centro for parking near all the major attractions. It was not a bad location - about a 15-minute walk to the Palazzo del Bo (University of Padua). We arrived at the Palazzo del Bo a bit early and immediately noticed the graduation ceremony for recent University of Padua graduates. 

The graduation ceremony at the University of Padua is quite different from what you might expect in the U.S. or UK—it’s more personal, historic, and (often) a bit theatrical.

Unlike American universities, there isn’t a single “graduation day” for everyone.

  • Students graduate throughout the year, whenever they finish their degree.

  • The key moment is the final thesis defense (“discussione della tesi”) in front of a faculty panel.

  • Once approved, the student is officially awarded the laurea (degree).

👉 This makes graduation feel more academic and individual rather than a mass event.

One of the most distinctive traditions—born in Padua itself—is the laurel crown:

  • Graduates wear a wreath made of laurel leaves (“corona d’alloro”).

  • It symbolizes victory, knowledge, and achievement, going back to ancient Greece and Rome.

  • The term “laureato” (graduate) literally comes from this tradition.

You’ll see graduates walking around the city all day wearing it—it’s very visible and celebratory.

The “papiro” (funny public ritual)
  • Friends prepare a large poster called a “papiro”.

  • It includes:

    • Embarrassing stories

    • Cartoons or caricatures

    • A humorous (often risqué) poem about the graduate

  • The graduate must publicly read it aloud, often in a square or street.

👉 This tradition evolved from older formal recitations into something much more playful (and sometimes humiliating in a fun way). 

We heard this song repeatedly throughtout Padua, as we saw  graduates with laurel crowns (Note: all graduates are referred to as 'Dottore' - not just PhDs):

"Dottore, dottore, dottore del buco del cul, vaffancul, vaffancul!"

“Doctor, doctor, doctor of the [asshole], f*** off, f*** off!” 

At 11:30, our English-speaking tour of the University of Padua started, with Dana (an American student studying in Padua) guiding us through multiple rooms of the Palazzo del Bo.

The English-speaking tour of Palazzo del Bo took us to important historic rooms:

  • Ancient Courtyard – covered in centuries of coats of arms from students

  • Anatomical Theatre (1594) – the world’s oldest permanent anatomy theater. I can't believe that disections went on for 8-hours straight, non-stop in this closed space.

  • Anatomical Kitchen – where dissections were prepared and discarded (boiled)

  • Aula Magna (Galileo Hall) – where Galileo Galilei taught for 18-years

  • Sala dei Quaranta (Hall of the Forty) – portraits of famous international students, like William Harvey, Andreas Vesalius, Nicolas Copernicus

  • Medicine & Law halls

🎧 What the tour feels like
  • You hear about:

    • Galileo taught math and was the most popular teacher

    • Early human dissections (controversial at the time)

    • The university’s motto: freedom of thought

 Here are some more interesting tidbits about Galileo's teaching at the University of Padua:

Galileo Galilei spent nearly 18 years (1592–1610) teaching at University of Padua—and it was arguably the most productive and enjoyable period of his life. Here are some of the most interesting and lesser-known tidbits:

Galileo later described his time in Padua as the happiest of his life.

  • Why? The Republic of Venice gave scholars unusual freedom of thought

  • He could teach bold ideas without the same pressure he later faced in Florence and Rome

Galileo wasn’t just respected—he was popular and charismatic:

  • Students flocked to his lectures, often beyond official enrollment

  • He taught in a lively, practical style rather than dry theory

  • Many students came from across Europe just to study with him

Instead of just lecturing, Galileo demonstrated physics live:

  • Rolling balls down inclined planes to study motion

  • Testing ideas about acceleration and inertia

  • Challenging Aristotle’s long-accepted views

He didn’t invent the telescope—but transformed it.
  • He improved the newly invented telescope dramatically

  • Built versions powerful enough to observe the sky

  • Made discoveries like:

    • Moons of Jupiter

    • Phases of Venus

👉These observations would later support the heliocentric ideas of Nicolaus Copernicus.

He hustled for extra income. The university salary wasn’t enough, so Galileo:
  • Gave private lessons to wealthy students

  • Sold scientific instruments (like compasses and military tools)

  • Even designed devices for practical use in warfare and engineering

Galileo taught mathematics, mechanics, and astronomy—but always with practical uses:

  • Ballistics (how cannonballs move)

  • Engineering problems

  • Navigation

👉 This made him valuable not just academically, but to the Venetian state.

During his Padua years:

  • He had a long relationship with Marina Gamba

  • They had three children together

  • He lived more like a working intellectual than a distant academic icon

Because Padua was under Venice:

  • He was somewhat shielded from the Roman Inquisition

  • Only after leaving for Florence, did his conflict with the Church escalate

👉 Staying in Padua longer might have changed history.

When visiting Palazzo del Bo:

  • You can see the Aula Magna (Galileo Hall) where Galileo lectured and the platform he stood on (during his lectures)

In the Sala dei Quaranta (the room of 40), these are some of the greatest figures: 

🥇 1. William Harvey

👉 Why he matters:
He discovered that blood circulates continuously around the body—which overturned centuries of wrong ideas.

👉 What to notice:

  • He studied in Padua’s cutting-edge medical environment

  • His work connects directly to the Anatomical Theatre you’ll see on the tour

💡 If you remember one person, make it him—this is a true scientific revolution.


🥈 2. Andreas Vesalius

👉 Why he matters:
He basically invented modern anatomy by insisting on studying real human bodies instead of relying on ancient texts.

👉 What to notice:

  • He challenged errors from Galen that had been accepted for over 1,000 years

  • His work made Padua the center of medical science in Europe

💡 He represents the shift from “belief” to “observation.”


🥉 3. Nicolaus Copernicus

👉 Why he matters:
He proposed that the Sun—not Earth—is at the center of the solar system.

👉 What to notice:

  • He studied here before publishing his revolutionary theory

  • His ideas later influenced Galileo Galilei

💡 This is the moment humanity stopped being the center of the universe.

After finishing the English-speaking tour at 12:40, we wandered around the Palazzo della Regione, where restaurants had outdoor seating, and the farmers' market was in full swing. We looked at all the various produce, fish, and meats for sale.

We decided to see Padua from up high and purchased tickets (from a nearby Tourist Office) to climb the Torre degli Anziani, a medieval tower with beautiful views of the city, for 13:00. The 200+ steps were fairly easy, and we quickly reached the top, with gorgeous views of Padua below.

After taking countless photos, we decided to eat lunch nearby at TreQuarti Padova. We decided to sit indoors, as it was still a bit chilly outside. From our vantage point, we could see the funny antics of recent University of Padua Graduates, reading their "papiros" to laughs, applause, and singing of "Dottore, dottore, dottore del buco del cul, vaffancul, vaffancul!"

We ordered the following items:

  • 2 x Polpette (Meatballs)
  • 2 x Cichetto Misti (small sandwiches)
  • Lasagna ala Bolognese
  • Radicchio Therapy salad
  • Cal. Rosso Reserva (local merlot red wine)
  • Acqua Gas

I really liked the lasagna, and Inna liked her Radicchio Therapy salad. I did not care for the polpette or the cichetti. The red wine was delicious.

After lunch, Inna decided to see the M.C. Escher. Tutti i capolavori” (All the Masterpieces) art exhibit in the Centro Culturale Altinate San Gaetano, nearby.

This is a large, full retrospective:

  • 150+ works spanning his entire career

  • Includes iconic pieces like:

    • Relativity (impossible staircases)

    • Day and Night

    • Metamorphosis II

    • Hand with Reflecting Sphere

👉 It’s not just highlights—it’s a complete journey through his evolution.

Escher isn’t just “cool drawings”—this exhibit really shows why he matters:

1. Art + math fused together

  • Tessellations (repeating patterns)

  • Infinite geometry

  • Symmetry and transformation

👉 He basically turned mathematics into visual art


2. “Impossible worlds”

  • Staircases that go nowhere

  • Buildings that defy physics

  • Perspectives that break your brain

👉 The core idea:
What you see ≠ what is real


3. Interactive / immersive elements

Some parts of the exhibit include:

  • Installations where you experience illusions yourself

  • Spaces designed to make you feel “inside” an Escher world

👉 This makes it more engaging than a traditional museum.

After the wonderful M.C. Escher exhibit, we decided to stop by for a quick coffee at the Caffè Pedrocchi. This was supposed to be the cafe of Padua's intellectuals (but it didn't seem that way to me). We ordered the following items:

  • Boris: cappuccino
  • Inna: Viennese capuccino
  • Dessert: cake

The cappuccinos were excellent, but Inna thought that the apple tart would have been much better.

From the cafe, we walked straight to the Cappella degli Scrovegni, for our 17:00 showing of the Giotto frescoes. Once there, we had to wait and watch a presentation on the frescoes for about 10 minutes - this was to help equalize the temperature and increase longevity.

The frescoes were remarkable and hard to believe that they were completed in 1303-1305. We took lots of photos (and had just 30 minutes to see them, before the next group arrived).

The frescoes by Giotto di Bondone in the Scrovegni Chapel are one of the most important works in the history of Western art—they basically mark the moment painting starts to look human, emotional, and real.

Here’s how to understand them without getting overwhelmed:

  • Painted around 1303–1305

  • Commissioned by Enrico Scrovegni

  • Covers almost every inch of the chapel interior

👉 It’s not a single painting—it’s a complete visual story.


🎨 The big idea

Before Giotto:

  • Figures looked flat, stiff, symbolic

After Giotto:

  • People have weight, emotion, and presence

👉 This is often called the beginning of the Renaissance.

The walls are arranged in horizontal bands (registers), telling a narrative:

Top level:

  • Lives of Mary’s parents (Joachim & Anne)

Middle:

  • Life of the Virgin Mary

Main scenes:

  • Life of Christ (the core of the cycle)

Bottom:

  • Allegories of Virtues and Vices

👉 You literally “read” the chapel from top to bottom, left to right.

Monday, March 16, 2026

Relaxing Abano Terme (March 15 - 19)

Sunday, March 15, 2026 

At 17:00, we started our drive from Verona to Hotel Mioni Pezzato & SPA in Abano Terme,  arriving at 18:15. Just one receptionist was working at the front desk at Mioni Pezzato, and she seemed overwhelmed with phone calls & requests. We had to wait our turn (but we were warned about slow & uneven service from our friends). 

After checking into our room #271 (on the 2nd floor), we unpacked our bags and relaxed for a bit. I tried connecting to WiFi, but it required an email account (and afterwards did not connect). Our room was also too hot and lacked air-conditioning. Thankfully, we could open windows to cool down the room. How does a 4-star hotel lack air-conditioning? (We ended up with a few other problems in our room, including the following issues:

  • bathroom door not closing (not fixed)
  • slowly draining shower (not fixed)
  • running out of hair conditioner
  • not being able to run off the heater (disabled heater, but cooling was slow)

Dinner seating was from 19:30 to 20:45. We decided to eat dinner first and then try the pools. One major pool closed at 19:00, the other at 23:00. I was surprised to hear so much Russian and German being spoken. 

At 19:40, we came down from our room for dinner at Mioni Pezzato, and there was a huge line to get seated. We had a table assigned for us (in the middle of a long corridor, which we tried to change to another location). We were given menus (first in Italian, then in English), but no one came to take our order. Eventually, a waitress came up, but she did not speak any English, and when we asked her questions, she ran away and proceeded to serve other tables instead. 

The normal process for dinner at Mioni Pezzato was to visit the buffet to sample various appetizers (salads, poke, breads) and then sit down and order the entrees. We found the restaurant manager and told him what we wanted to order (fortunately, he spoke English):

  • Drinks; still water, 2 x hot tea
  • Appetizer: 2 x Thyme & Parmesan Ravioli
  • Boris: Roasted Duck Breast, leek, lamb's lettuce, and orange sauce
  • Inna: Seabaass with sauteed carrots
  • Dessert: Tiramisu

The ravioli was pretty good and came quickly. We had to wait a long time for the duck and seabass. They were not bad, but nothing special. There was a wide variety of desserts at the buffet, but I only liked the tiramisu.

After we finished dinner at 21:40 (taking almost 2 hours), we quickly changed into swimsuits to enjoy the large pool (before it closed at 23:00). The pools were amazing, and I really liked the lazy river.


Monday, March 16, 2026

After waking up at 07:00 to my iPhone alarm, I showered and quickly dressed. My allergies started to worsen (I was frequently sneezing and had watery eyes), so I took my daily dose of Flonase (but it was starting to run low).

We ate our usual buffet breakfast at Mioni Pezzato, which included the following:

  • Drinks: still water, cappuccino (from the machine)
  • 1st plate: scrambled eggs with salmon, tomatoes, and cucumbers
  • 2nd plate: plain yogurt with strawberries, pineapple chunks, and seeds
  • Dessert: pain au raisin, croissants with marmalade

The yogurt with fresh strawberries was excellent. The pastries were hit or miss. I liked the pain au raisin, but the plain croissants were just average.

We decided to head to Vicenza for a few hours to see the best sights there. I write about Vicenza in a separate blog entry. From Vicenza, we returned to Abano Terme, first parking downtown, but soon realized that parking there was complicated. Some cars had special stickers, and we did not want to risk a parking violation (we saw local police handing out tickets). I reparked in Hotel Mioni Pezzato & SPA's parking lot for guests.

From the hotel, we decided to have lunch at Enoteca Cicchetteria La Tinozza, about 11-minutes away (by foot). We strolled through the town (which was mostly empty) and sat down at a table inside. We ordered the following items:

  • Drinks: Red (Merlot) wine, White wine, still water
  • Appetizer: Plato Crudo di Bufala
  • Main: Crescia dell'Oste (mortadella, mozzarella di bufala, tartufo nero on Italian flatbread)
The Crescia dell'Oste was served on a thicker (than I expected) dough, but was delicious. The Plato Crudo di Bufala was good too. Service was a bit slow, and it took a long time for our waitress to get us menus or water.

After lunch, we returned to Hotel Mioni  (with a quick stop for cappuccinos at Bar Saggitario). We quickly changed into our swimsuits and swam around. Inna had a massage appointment at 16:00, and I used the time to relax and read my Kindle (finishing up The Buried Giant).

At 19:50, we returned to Hotel Mioni for our dinner:

  • Drinks: sparkling water
  • Appetizer: Asparagus Soup, Tortellini
  • Boris: Beef Cheeks
  • Inna: Octopus
  • Dessert: Tiramisu
The Tortellini were delicious, but I found my Beef Cheeks a bit bland. For dessert, there was nothing I liked other than tiramisu. We tried to order hot black tea, but it was no longer possible. We ordered it yesterday, but today it's no longer served at dinner (only at the bar). Every day, there is a new surprise.

After dinner, we noticed some live music at the bar (but it did not entice much interest in me). We decided to walk around after dinner and stopped by the Opel Corsa to retrieve our warm jackets (and my camera bag).

Tuesday, March 17, 2026

After waking up at 07:00 to my iPhone alarm, I showered and quickly dressed. We ate our usual buffet breakfast at Mioni Pezzato, which included the following:

  • drinks: still water, cappuccino (from the machine)
  • 1st plate: scrambled eggs with salmon, tomatoes, and cucumbers
  • 2nd plate: plain yogurt with strawberries, pineapple chunks, and seeds
  • Dessert: pain au raisin, croissants with marmalade

The yogurt with fresh strawberries was excellent. I liked the pain au raisin.

After breakfast, we decided to drive to Padua, about which I write in a separate blog.

When we returned from Padua at 19:24, we rested for a short time and then  returned for our dinner:

  • Drinks: sparkling water
  • Appetizer: Lasagna, Tortellini with Calamari 
  • Boris: Salmon
  • Inna: Veal
  • Dessert: Tiramisu
The Calamari were excellent, as was the Veal and the Salmon.

Wednesday, March 18, 2026

After waking up at 07:00 to my iPhone alarm, I showered and quickly dressed. Because Inna had a spa treatment at 08:30, we decided to eat our breakfast at 07:30, instead of our usual 08:00. We ate a small buffet breakfast at Mioni Pezzato:

  • drinks: still water, cappuccino (from the machine)
  • 1st plate: scrambled eggs with salmon, tomatoes, and cucumbers
  • 2nd plate: plain yogurt with strawberries, pineapple chunks, and seeds
After breakfast, Inna went for her 08:30 treatment (She also had a facial scheduled for 12:00). After she returned at 09:30, we walked downstairs to the spa and tried the various pools. The wind was quite blustery, and we decided to use the indoor thermal pool initially. Eventually, after using the various jacuzzis with various nozzles for feet and back, we returned to the main outdoor pool and swam around the lazy river.

Inna went in for her treatment at 12:00, while I rested indoors and read my Kindle (The Buried Giant). After she returned, we considered driving to a couple of different local villages:

However, I was not feeling well (allergies were acting up, and tree pollen was very high). In addition, the blustery wind made hiking outdoors undesirable. So, we decided to stay in Abano Terme and eat dinner at our local Ristorante La Scala (4 minutes away).

We sat down at La Scala and ordered the following items from the chef's special pumpkin-inspired menu:
  • Appetizer: Piovra Arostita (grilled octopus)
  • 1st plate: Tortelli Porcini (Stuffed pasta (tortelli) with porcini mushrooms)
  • 2nd plate: Gamberoni ai Porcini (Large shrimp (prawns) with porcini mushrooms)
  • drinks: Pellgrino
The dishes were expertly prepared and delicious, but a bit expensive. Portions were relatively small, but the food quality & service were excellent.

After lunch, I returned to Hotel Mioni  (with a quick stop for cappuccinos at Bar Saggitario), while Inna decided to explore the local stores.

When she returned at 16:00, we decided to return the pools & saunas.


Thursday, March 18, 2026

Time to pack for our trip to Venice.

Links

Sunday, March 15, 2026

Romantic Verona (March 15)

Sunday, March 15, 2026

At around 09:40, we set off from Sirmione for Verona, with a brief stop to shop at MooRER Boutique & Outlet MooRER in Cavalcaselle. Both Inna and I purchased new jackets (heavily discounted from last year). Inna really liked the Italian design flair of the MooRER brand.

We continued our drive to Verona, parking at Parcheggio Saba Arena, conveniently located near the Arena di Verona. I avoided the A4 tollway, as it seemed to make little difference in arrival time, but I regretted it. Every Italian village on the route had multiple speed cameras, and I had to constantly slow down (to avoid getting ticketed). It made driving the back roads in Northern Italy a bit frustrating. Next time, whenever possible, I will always take the tollway (as it's much less stressful).

Our first stop was the Arena di Verona amphitheater, located on Piazza Bra. There was a lot of construction around the Arena with large metal fences blocking off access. We were not able to enter it, but managed to peek inside. The Piazza Bra was teaming with people, restaurants, and shops.

Arena di Verona. is a 1st-century Roman amphitheater is one of the best-preserved in the world and still hosts concerts and opera.

Why it’s special

  • Built around 30 AD

  • Could hold 30,000 spectators

  • Famous summer opera festival

From Piazza Bra, we walked toward Piazza delle Erbe, stopping to look at various shops (there were lots of big brand-name fashion stores, like in Milan) and some street performers.

Piazza delle Erbe is lively medieval square built on the site of the ancient Roman forum.

Look for:

  • Madonna Verona Fountain

  • Lamberti Tower (we did not go inside)

  • Colorful frescoed palaces

From here, we walked toward Juliet’s House (a fake balcony, for Shakespeare's Romeo & Juliet). There was nothing special here, so we continued on to the Scaliger Tombs.

These are the elaborate tombs of the Scaliger family, the powerful rulers of Verona during the 13th–14th centuries. They sit right next to Piazza dei Signori, enclosed by a decorative iron fence.

Think of them less as simple graves and more like mini Gothic cathedrals in stone.

Unlike typical tombs, these are:

  • Highly vertical and spired (almost like rockets pointing upward)

  • Covered in detailed carvings and statues

  • Designed to project power and prestige—even in death

They’re considered one of the finest examples of Gothic funerary art in Europe.

1. Cangrande I della Scala

The most important and visually striking tomb.

  • Features a smiling equestrian statue of Cangrande

  • The original statue is inside Castelvecchio, with a replica outside

  • He was a major patron of Dante Alighieri

His tomb feels almost celebratory—unusual for a medieval monument.

From here, we continued on to Piazza dei Signori.

Piazza dei Signori is a quieter, elegant square surrounded by palaces.

Highlights:

  • Statue of Dante Alighieri

  • Gothic tombs of the powerful Scaligeri family

Regarding Dante Alighieri:

For lunch, we decided to visit the Antica Bottega del Vino, sitting indoors and ordering the following:

  • Appetizer: Risotto Amarone (based on local Amarone wine)
  • Appetizer: Gallina (Chicken)
  • Main: Guancia (Beef Cheeks)
  • Wine: Azienda Agricola Brigaldara

The Risotto Amarone was excellent, as was the Gallina and Guancia. The local wines are wonderful and inexpensive.

After lunch, we wandered around the city, stopping at the Verona Duomo. It was much more beautiful inside (than the brick exterior suggested from the outside).

The Verona Duomo is the city’s main church—less flashy than the Arena, but arguably more beautiful and layered, with over 800 years of history.

  • Officially called Santa Maria Matricolare

  • Built in Romanesque style (12th century), with later Gothic and Renaissance additions

  • Part of a complex that includes other churches and a cloister

It sits in a quieter area near the Adige River, which gives it a more peaceful, local feel.

1. The façade & entrance
  • Made of warm Veronese stone

  • Beautiful carved portal with biblical scenes

  • Guarded by two stylized lions (very typical of Romanesque churches)

2. The nave
  • Striking alternating red and white marble columns

  • High ceilings and a sense of calm, unlike busier Italian cathedrals

3. Titian’s masterpiece
  • Assumption of the Virgin by Titian

It’s a massive, glowing painting behind the altar, full of movement and color—one of the Duomo’s true treasures.

From the Verona Duomo, we walked for about 15-minutes along the Adige River toward the famous Castelvecchio Bridge. Once we reached the bridge, we noticed larger crowds of people and a street musician singing French and Italian songs (and playing the guitar and harmonica as well) with songs such as Edith Piaf's famous "La Vie En Rose"

 On the way back to our car, we decided to stop by for a quick gelato at Gelateria Savoia Verona. There was a long line to enter the gelateria, but it moved fast. Inna ordered two scoops of Pistachio and Guanduja in a cup. The Guanduja tasted was much better than the Pistachio.

The ride back to Abano Terme was mostly uneventful, as I took the A4 tollway. (I did drop the credit card when paying for the toll and had to back up the car to let Inna retrieve it). I liked driving on the tollway, despite having to pay the toll, as it avoided all the speed cameras that seemed to congregate in every Northern Italian village.


Links



Friday, March 13, 2026

Historic Brescia (March 13)

When we started our drive from Sirmione (at 09:00) to Brescia, I had programmed our parking as Parcheggi Fossa Bagnini, near the Castello di Brescia. However, when we arrived, we could not find it. Perhaps Google Maps has the wrong location.  (NOTE: Google Maps was terrible at navigating in Northern Italy, not explaining which exit to take during numerous roundabouts, and making other mistakes. We switched to Apple Maps and had better success.) We found some free parking nearby and walked from there to our first destination - Piazza della Loggia.

Piazza della Loggia, a large Renaissance square in the historic center of Brescia, was mostly empty, with a few restaurants (with large outdoor seating areas). The astronomical clock tower and the Palazzo della Loggia were the two impressive sights to see. I imagine that the square gets busier during the summer tourist season.

Built in the 15th century during Venetian rule, the square served as the political and commercial heart of the city. Its architecture reflects the strong influence of the Republic of Venice, which governed Brescia for several centuries.

Key things to see in the square:

1. Palazzo della Loggia
The elegant Renaissance palace dominating the square. It was built starting in 1492 and served as Brescia’s city hall. Today it still houses the municipal government.

2. Venetian-style arcades
Along one side of the square are long arcades with shops and cafés, built in the Venetian style.

3. The astronomical clock tower (Torre dell’Orologio)
A striking clock with two bronze figures—nicknamed the Macc de le ure” (“the madmen of the hours”)—that strike the bell.

Our next stop was the Roman ruins (Capitolium or Tempio Capitolino). In the morning, when we walked by the ruins, they were blocked from direct access, but opened later in the day.

The Capitolium, also called the Tempio Capitolino, is the most important surviving Roman monument in Brescia. It was the main temple of the Roman city of Brixia and stood at the center of the Roman forum.

The temple was constructed in 73 AD during the reign of the Roman emperor Vespasian. An inscription on the building still commemorates his sponsorship of the project.

The temple replaced earlier religious structures and became the religious heart of Roman Brixia, a prosperous city in northern Italy.

Like many Roman cities, Brescia had a Capitolium, a temple dedicated to the Capitoline Triadthe three most important gods of the Roman state:

  • Jupiterking of the gods

  • Junoprotector of the Roman state

  • Minervagoddess of wisdom and crafts

Inside the temple were three separate sanctuaries (cellae), each dedicated to one of these gods.

The temple was rediscovered in 1823 during archaeological excavations. Today visitors can see:

Roman columns and façade
The reconstructed white marble columns recreate the imposing front of the temple.

Original interior rooms
The three sacred chambers where the statues of the gods once stood.

Decorative marble floors and walls
Parts of the richly decorated Roman interior remain preserved.

Bronze statues discovered in 1826
In a hidden chamber nearby, archaeologists found a cache of Roman bronzes buried in late antiquity to protect them from destruction.

The most famous of these is the Winged Victory of Brescia, now displayed nearby and considered one of the finest Roman bronze statues ever discovered.

The Capitolium overlooks the remains of Brescia’s Roman forum, the central square of the ancient city. The whole area forms part of the Archaeological Park of Roman Brescia.

We decided to visit the famous Santa Giulia Archaeological Museum, and it was one of the main highlights of our visit to Brescia.

For lunch, we stopped by the ChatGPT-recommended Osteria Al Bianchi, where we were seated at a communal table, next to a lady from England (Exeter), who was driving to her home in southern France and stopped by in Brescia. We ordered the following items:

  • Boris: Large Mixed Salad, Casoncelli (pasta), Red Wine
  • Inna: Capu, Guancia, White Wine

The Capu was amazing, and the Casoncelli pasta was excellent too. Inna liked her Guancia (cheek of the cow) too. The house Red wine from Brescia was also very enjoyable (and I don't usually like red wine).

Capù (sometimes written capù bresciani) is a traditional peasant dish from the area around Brescia. It consists of small rolls made with cabbage or vine leaves stuffed with a savory filling, then slowly cooked in broth or butter.

Casoncelli (pronounced kah-zon-CHEL-lee) is a traditional stuffed pasta from the Lombardy region, especially associated with Brescia and nearby Bergamo. It is one of the most beloved regional dishes in northern Italy.

After lunch, Inna wanted to see Liberty. L’arte dell’Italia modernaArt Exhibition in Brescia (2026), hosted at Palazzo Martinengo.

The show explores the Liberty stylethe Italian version of Art Nouveauwhich flourished in the late 19th and early 20th centuries. This was a period of great cultural and artistic transformation in Europe and Italy, marked by new ideas about beauty, design, and modern life. The exhibition highlights how this style influenced not just painting and sculpture, but also fashion, advertising graphics, photography, ceramics, applied arts, and even early cinema.

The exhibition brings together a selection of over 100 masterpiecesmost of them from private collections and important Italian museums such as the Galleria Nazionale d’Arte Moderna e Contemporanea in Rome and the Galleria Nazionale di Parma.

Highlights included:

  • Paintings by leading Italian artists such as Vittorio Matteo Corcos, Gaetano Previati, Plinio Nomellini, Ettore Tito, and more.

  • Sculptures in bronze and marble by masters like Leonardo Bistolfi, Libero Andreotti, and Edoardo Rubino.

  • Colourful advertising posters (affiches) from the era.

  • Period fashion, including elegant women’s dresses from early 20th‑century ateliers. 

Top 10 Paintings in the Exhibition

  1. Giorgio Kienerk – Trittico (Il dolore, Il silenzio, Il piacere)
    A powerful triptych exploring emotions with expressive Liberty‑era style.

  2. Vittorio Matteo Corcos – Ritratto della Marchesa Edith Oliver Dusmet
    A striking portrait of an aristocratic woman that exemplifies Corcos’s refined portrait style in the Liberty era.

  3. Vittorio Matteo Corcos – Ritratto di Lia Goldman
    Another elegant Corcos portrait, typifying cultured, introspective figures of the early 20th century.

  4. Plinio Nomellini – Bambini in giardino
    A lyrical scene with children in a garden, capturing nature and light in gentle Liberty‑style brushwork.

  5. Mario Reviglione – Ritratto in nero (Ritratto della signora Levi Muzzani)
    A deeply expressive portrait with strong stylistic traits of the period.

  6. Camillo Innocenti – Bianco e azzurro
    Known for its subtle color balance, merging decorative form with emotional expression.

  7. Alessandro Battaglia – Mattino di Primavera
    A beloved piece with natural subject matter and delicate Liberty sensibility.

  8. Gian Emilio Malerba – L’attesa
    A celebrated Liberty‑era painting that symbolizes anticipation, rendered in refined decorative style.

  9. Felice Casorati – Persone
    A portrait or figurative work showing early 20th‑century modernist influences (listed among notable works in the show).

  10. Enrico Lionne / Umberto Coromaldi / Cesare Tallone (representative works)
    While specific titles from these painters aren’t always published in advance, the exhibition includes important works by them reflecting Liberty’s blend of traditional skill and modern influences.

After the art exhibition, we rushed to see Duomo Vecchio:

The Duomo Vecchio (“Old Cathedral”), also called Brescia Cathedral (Old) or the Rotonda”, is one of the most unusual medieval churches in Italy. It sits next to the newer cathedral in the center of Brescia.

What makes it special is its circular shape. Built mainly in the 11th–12th centuries, it is one of the best-preserved Romanesque round churches in Europe. The design likely replaced an earlier Early Christian basilica that stood on the site.

Inside, the church feels very thick, heavy, and medieval, with massive stone walls and relatively small windows.

Architecture highlights
  • Circular plan (Rotonda)uncommon for cathedrals in Italy

  • Huge stone pillars supporting the dome

  • Two levels: an upper church and a lower crypt area

  • Thick Romanesque masonry, giving it a fortress-like feel

Things to see inside

  • Roman sarcophagus of Bishop Berardo Maggi (14th century)

  • Roman and early Christian remains in the crypt

  • Medieval fresco fragments

After visiting the Duomo, we returend to our Opel Corsa  (a 15-minute walk to its parking spot) and started our return drive to Sirmione.


Brescia Trip Review

Highlights

Lowlights

  • Problems finding parking

Links