Saturday, March 21, 2026

Oliver! at Gielgud Theatre

Based on Charles Dickens ' famous novel, Oliver Twist, Oliver! is a musical that was highly regarded (and I wanted to see it when visiting London). I purchased the best seats I could find (O16, O17) for Saturday evening's (March 21, 2026) performance at the Gielgud Theater.

The musical was very well staged and acted, with excellent special effects. Sometimes, it was hard for me to understand the English accent used in the songs.

The standout performance was by Fagin, the king of the pickpockets. He was such a fun character and acted brilliantly on stage.

According to the Gielgud Theater's program:

The cast includes Simon Lipkin (Guys and Dolls, Avenue Q) as Fagin, Ava Brennan (HamiltonLes Misérables) as Nancy, Aaron Sidwell (Henry VIWicked) as Bill Sikes, Aaron MacGregor as the Artful Dodger and Philip Franks (The Rocky Horror ShowWitness for the Prosecution) as Mr Brownlow.

Produced and revised by Cameron MackintoshOliver! is directed and choreographed by Matthew Bourne and co-directed by Jean-Pierre van der Spuy. Designed by Lez Brotherston, lighting is by Paule Constable and Ben Jacobs, sound design by Adam Fisher, video design by George Reeve, original orchestrations by William David Brohn adapted by Stephen Metcalfe; music supervision is by Graham Hurman.

With a sensational score, including Food Glorious FoodConsider YourselfYou’ve Got to Pick-a-Pocket or TwoI’d Do AnythingOom Pah PahAs Long As He Needs Me and many more, the Olivier, Tony and Oscar-winning masterpiece vividly brings to life Dickens’ ever-popular story of the boy who asked for more.


🎭 Oliver! – Act-by-Act Synopsis


ACT I

The musical opens in a grim Victorian workhouse, where orphaned boys suffer hunger and cruelty under the watch of Mr. Bumble and the Widow Corney.


  • “Food, Glorious Food”
    The boys dream of a life with enough to eat. Encouraged by the others, Oliver famously asks for more gruel — an act of innocence that lands him in serious trouble.

  • “Oliver!” / “I Shall Scream” / “Boy for Sale”
    Bumble and Corney decide Oliver must be rid of. He is sold as an apprentice to Mr. Sowerberry, an undertaker.

  • “That’s Your Funeral”
    Oliver’s mistreatment continues, and after a fight with another apprentice, he runs away to London.

  • “Where Is Love?”
    Alone and frightened, Oliver longs for kindness and belonging.

Arriving in London, Oliver meets the charismatic Artful Dodger, who introduces him to a lively new “family”.

  • “Consider Yourself”
    Oliver is welcomed into a gang of boys led by Fagin, who trains children to pick pockets.

  • “You’ve Got to Pick a Pocket or Two”
    Fagin cheerfully explains his philosophy of survival through crime.

Oliver witnesses the darker side of this world through Nancy, a warm-hearted young woman trapped in a relationship with the violent criminal Bill Sikes.

  • “It’s a Fine Life”
    Nancy sings ironically about making the best of hardship.

  • “I’d Do Anything”
    The boys compete to show their loyalty to Fagin, while Oliver remains innocent and eager to please.

  • “Be Back Soon”
    Fagin and the boys set out on a robbery. During a pickpocketing attempt, Oliver is mistakenly accused but rescued by the kindly gentleman Mr Brownlow, who takes him home.

Act I ends with Oliver seemingly safe at last.


ACT II

Oliver enjoys warmth, books, and care in Mr. Brownlow’s home.


  • “Who Will Buy?”
    A lyrical street scene shows London at its most hopeful, reflecting Oliver’s new sense of possibility.

Meanwhile, Fagin and Bill Sikes fear Oliver will betray them.

  • “Oom-Pah-Pah”
    In a noisy pub, Nancy tries to drown out her misery with bravado and drink.

  • “My Name”
    Bill Sikes asserts his brutal dominance, revealing the danger he poses.

Nancy is torn between fear and compassion.

  • “As Long as He Needs Me”
    She expresses her conflicted devotion to Bill, one of the show’s most emotional moments.

Oliver is kidnapped back to the slums, and Fagin debates his own future.

  • “Reviewing the Situation”
    Fagin weighs the risks of crime versus respectability, ultimately choosing survival over morality.

Nancy secretly warns Mr Brownlow of Oliver’s danger.

  • “As Long as He Needs Me” (Reprise)
    Her resolve strengthens, but Bill discovers her betrayal.

Nancy is tragically murdered by Bill Sikes, who later meets his own violent end while fleeing the law.

In the aftermath:

  • “Oliver!” (Reprise)
    Bumble and Corney fall from power as their hypocrisy is exposed.

Oliver’s true identity is revealed — he has inherited a fortune — but more importantly, he has found a home.

  • Finale
    Oliver is reunited with Mr Brownlow and the surviving characters, closing the show with a hopeful celebration of compassion, community, and second chances.


Overall Themes

  • Innocence versus corruption

  • Chosen family

  • Social injustice and moral responsibility

.

Oliver! Musical Review

Hihglights

  • Simon Lipkin's performance as Fagin - the king of the pickpockets - was the standout of the show

Lowlights



Friday, March 20, 2026

London (March 20 - 22)

Friday, March 20, 2026

Our British Airways BA597 flight landed in London's Heathrow airport at 19:15 GMT (from Venice, Italy). The flight was delayed about 15 minutes (with the original arrival time of 19:00 GMT).

After landing at Heathrow, we had to board buses (as our plane didn't have its own terminal). Inna and I almost got separated on different buses. Upon arrival at the terminal, we went through passport control. We had pre-booked hotel transfers to Egerton House, but our Golden Tours guide was not there (at Terminal 5 International Arrivals). I had to call 020-7233-7030 to reach the driver (who was waiting for us at the wrong location. She was supposed to be at Costa Coffee (which had recently closed). Eventually, she came over and found us, and we boarded her Land Rover for a short 35-minute ride to the Egerton House Hotel in London, arriving at around 20:45.

On arrival, we checked into our room #24 and asked the concierge to find us a restaurant for dinner. At first, he could not find anything available (being Friday evening), but he managed to reserve the Mayfair Chippy Knightsbridge restaurant for 21:20.

We walked about 5-minutes to the Mayfair (noticing the large number of Middle Eastern women wearing hijabs) and were seated upstairs, on the second floor. We looked at the menu and ordered the following items:

  • Drinks: Belu Natural Sparkling Water, Frontier Lager London (pint)
  • Appetizer: Crispy Oyster Mushrooms
  • Inna: Cornish Crab Salad
  • Boris: Fish (Haddock) & Chips Classic (curry, mashed peas)
The Fish & Chips were delicious (though I needed time to get used to the Haddock "fishy" flavor). I originally ordered an Apple Cider but got the Frontier Lager instead. Inna liked her Cornish Crab Salad.

Saturday, March 21, 2026

In the morning, I woke up, showered, and shaved. Since the customs threw away my shaving cream, I had to use the lotion as a substitute.

When Inna was ready, we went downstairs for our morning breakfast. We ordered the following items from our waiter at Egerton House:
  • Drinks: 2 x Cappuccino, 2 x hot Earl Grey Tea
  • Boris: Yogurt with berries & chia seeds, Shakshouka, 
  • Inna: Yougurt with berries & chia seeds, Turkish Eggs
The cappuccinos were too sweet (they had a chocolate topping), and we couldn't drink them. We ordered hot Earl Grey tea, which was much more to our liking. The yogurt with berries and chia seeds was excellent, as was my Shakshouka and Inna's Turkish Eggs. Service was fast and efficient, and we enjoyed sitting at our table even though the breakfast room is below ground level.

After breakfast, we walked 15-minutes to the nearby Hyde Park. The park was alive with activity, and we saw lots of people jogging or walking their dogs. In addition, we saw lots of young boys (of different age groups) practicing soccer (football) and a few young tennis players taking lessons on the grass courts.

We decided to walk to the Italian Gardens, stopping on the way at a couple of places:
We briefly toured the David Hockney exhibit. I didn't really like it too much, as it seemed too amateurish to me, but Inna liked it.

There was a nice cafe- Friends of Ours - Serpentine -  in an exotic-looking, modern structure, where we stopped by for a coffee, but it required prior reservations and looked quite busy.

From Hyde Park, we decided to stop for a coffee at a couple of places, but they were all busy:
We finally found a table at La Meena Cafe and ordered the following:
  • Drinks: Water
  • Boris: Cappuccino
  • Inna: Cappuccino
  • Dessert: Almond Croissant
The drinks were excellent, as was the Almond Croissant. From there, we decided to walk to Notting Hill (where Inna stayed a few years ago). Upon reaching it, Inna explored some of the local boutiques, while I waited on a bench.

From Notting Hill, we decided to walk to Holland Park to visit the Kyoto Garden. On the way there, we stopped for a light lunch at the Cafe Phillies. We ordered the following items:
  • Drinks: English Breakfast Tea, Green Tea, Cappuccino
  • Boris: Pancakes with fruits
  • Inna: Halloumi Salad
Inna originally ordered a Salad with Salmon, but Cafe Phillies was out of salmon. Instead, she ordered the Haloumi Salad, which was excellent. My Pancakes with fruit were mediocre. I didn't expect much, and they were even worse than expected. I did not expect to have the quality of Lemon-Ricotta pancakes in Solbar/Solage in Calistoga (my gold standard).

After lunch, we returned to Holland Park and walked to the Kyoto Gardens. There was a long line of people queued up in the park, taking photos over a small waterfall. We queued up too and took a few photos ourselves. From there, we walked north to Holland Park Underground Station (Tube) and explored the nearby shops.

Inna had reserved dinner for 16:45 at Balthazar, a French restaurant. We boarded the Holland Park tube station (using Apple Pay on our iPhones to buy our tickets) and rode 8 stops to Holborn. From there, we walked to Balthazar and were immediately seated indoors.

We looked at the menu and ordered the following items:
  • Drinks: Still water, cappuccino
  • Appetizer: Isle of Wight Tomato Salad
  • Boris: Roasted Shetland Island Salmon
  • Inna: Seared Hand Dived Scallops
  • Dessert: Raspberry Souffle
The Isle of Wight Tomato Salad was tiny but exceptional. My Salmon was excellent, as were Inna's scallops. The Raspberry Soufflé was excellent too. This is a really fine restaurant.

From Balthazar, we walked toward the Gielgud Theater (where the Oliver! musical was playing), stopping on the way for an espresso at Cafe Nero and shopping.  Inna wanted to visit the Gudrun Sjoden clothing store.

As we approached the Gielgud Theater at around 19:00, the streets were jammed with people, and the whole West End Theater area was crazy busy. I write about Oliver! in a separate blog post.

After watching Oliver!,  we ordered an UberX to take us back to the Egerton Hotel. We thought about taking the tube, but it would take about 45 minutes vs 20 minutes on UberX, and we were a bit tired.

Sunday, March 22, 2026

In the morning, I woke up at 07:30.  When Inna was ready, we went downstairs for our morning breakfast. We ordered the following items from our waiter at Egerton House:
  • Drinks: 2 x Cappuccino, 2 x hot Earl Grey Tea
  • Boris: Yogurt with berries & chia seeds, Eggs Royale (Eggs Benedict with Salmon)
  • Inna: Yougurt with berries & chia seeds, 
The breakfast was delicious (as usual), and I really enjoyed the Eggs Royale.

After breakfast, we walked for 7-minutes to the nearby Victoria & Albert Museum. We arrived at 09:53 (7 minutes before opening time). There was already a long line outside, probably for those who had purchased the tickets to the special Marie Antoinette Style exhibition. Inna tried to get tickets to it, but they were all sold out.

I used ChatGPT to provide me with a strategy for seeing the enormous museum:

If you only have ~3 hours at the Victoria and Albert Museum, the key is to focus on a few “wow” highlights + 2–3 themed galleries rather than trying to see everything (there are 2+ million objects).

Here’s a smart, efficient 3-hour route with the absolute must-sees.


🏛️ The Best 3-Hour Highlights Plan

1) Start with the jaw-dropping “big” spaces (45–60 min)

Cast Courts (don’t skip)

  • Huge plaster casts of iconic sculptures
  • Includes Michelangelo’s David and a full-scale Trajan’s Column replica
  • The scale alone is unforgettable

👉 This is the single most unique thing at the museum.


The Rotunda Chandelier (quick stop)

  • V&A Rotunda Chandelier
  • Massive blown-glass installation hanging over the entrance
  • Takes ~2 minutes but sets the tone

2) Iconic objects you shouldn’t miss (30–40 min total)

Pick a few of these nearby highlights:

  • Ardabil Carpet
    • One of the oldest and finest carpets in the world
  • Raphael Cartoons
    • Monumental Renaissance tapestry designs
  • Tipu’s Tiger
    • Mechanical tiger attacking a soldier—strange and memorable
  • Meissen Fountain
    • Huge, intricate porcelain masterpiece

3) Choose 2 major galleries based on your interests (60–75 min)

👗 If you like fashion & culture

  • Fashion Gallery
    • Historic to modern couture
  • Jewellery Gallery
    • Spectacular gemstones and craftsmanship

👉 These are among the most popular sections.


🏺 If you prefer art & history

  • Islamic / South Asian galleries
    • Includes objects like the Ardabil Carpet
  • British Galleries (1500–1900)
    • Furniture, interiors, royal objects

Optional highlight:

  • Henry VIII's writing desk
    • Personal object of the king

4) Quick atmospheric stop (15–20 min)

Courtyard + Café Rooms

  • Exhibition Road Courtyard
    • Beautiful porcelain-tiled courtyard
  • Historic café rooms (some of the most beautiful museum interiors in Europe)

👉 Good reset before final galleries.


⏱️ Suggested Timeline

  • 0:00–1:00 → Cast Courts + chandelier
  • 1:00–1:40 → Key masterpieces (carpet, Raphael, Tiger, etc.)
  • 1:40–2:50 → 2 major galleries (fashion/jewelry OR history/art)
  • 2:50–3:00 → Courtyard or quick café stop

🎯 Simple strategy

If you remember nothing else:

  • Cast Courts
  • One iconic object (Ardabil Carpet or Tipu’s Tiger)
  • One gallery you love (Fashion or Jewellery)

That alone gives you a world-class visit without overload.




London Trip Report
Highlights
Lowlights
  • Not enough time to attend all the events

Links


Thursday, March 19, 2026

Ethereal Venice (March 19)

Thursday, April 19, 2026

At 09:30, after checking out of Hotel Mioni Pezzato in Abano Terme, we began our drive to Venice Marco Polo Airport to drop off our Opel Corsa at the Hertz Car Rental return center.

The drive to Venice was fairly smooth. When I reached the airport, I stopped to refill the Opel Corsa's gas tank (it was close to 1/4 full). I filled it with E10 gasoline for 66 euros (at 2.00 euros/liter, this equals 33 liters). The Opel Corsa worked very well, and my only real complaint was the lack of a rear-view camera.

The Hertz return was on the 3rd floor of the large parking garage, and I had to navigate some narrow climbs to reach it. Once there, I parked the Opel in a Hertz return spot and dropped off the keys. Since I had prepaid for insurance, the agent didn't even bother to inspect the car.

We had two alternatives to reach the Baglioni Hotel Luna at San Marcos Square in Venice:

  • private water taxi (25-minutes, for 150 euros one-way)
  • Alilaguna airport boat (120 minutes, for 15 euros/person)

Since we only had one day in Venice and time was precious, we decided to splurge on the private water taxi, arriving at our hotel at 11:30. The water taxi felt like a private boat tour, and we took lots of photos.

Venice looked stunning (as expected), and I had forgotten how beautiful it was. There is nothing else like it.

We checked into our Baglioni Hotel Luna, but our room was not ready (though an upgrade to a larger suite was in the works). We put our bags in storage and decided to visit Piazzo San Marco to see if we could buy tickets for the Basilica di San Marco. Luckily, online tickets were still available for the Basilica for the 12:00 - 12:30 entry to the Basilica and the Pala d'Oro.

St. Mark's Basilica was amazing, and I was amazed yet again by the amount of gold leaf throughout the cathedral. The Pala d'Oro was also an amazing item. The view from the top of the cathedral was also quite stunning. We could have spent many hours admiring the beautiful cathedral.

St. Mark’s Basilica

Right in the heart of Venice, next to Piazza San Marco, this is one of the most extraordinary churches in the world—less like a typical Italian cathedral and more like a shimmering jewel box of East-meets-West art.


✨ What makes it special

🟡 The “Church of Gold”

  • Nicknamed Chiesa d’Oro (Church of Gold)

  • Covered in over 8,000 square meters of gold mosaics

  • Inside glows with a dim, golden light—very different from bright Renaissance churches


🏛️ Byzantine, not Italian style

Unlike most churches you’ve seen in places like Padua or Verona:

  • Influenced by the Eastern Roman (Byzantine) Empire

  • Inspired by Hagia Sophia

  • Features:

    • 5 domes

    • Rounded arches

    • Rich mosaics instead of frescoes

This reflects Venice’s history as a trading power deeply connected to the East.


🦁 The symbol of Venice

You’ll see the winged lion everywhere:

  • Symbol of Saint Mark the Evangelist

  • Patron saint of Venice

Legend says Venetian merchants stole his relics from Alexandria and brought them here in 828.


💎 Must-see highlights inside

🔶 The golden mosaics

  • Cover ceilings and domes

  • Depict biblical scenes in glowing gold backgrounds

  • Meant to feel heavenly and timeless


💠 The Pala d’Oro (main altar)

  • A masterpiece of gold, enamel, and gems

  • Created over centuries

  • One of the most valuable altarpieces in Europe


🐎 The Horses of St. Mark

  • Ancient bronze horses displayed inside (originals)

  • Taken from Constantinople after the Fourth Crusade

  • Symbol of Venice’s power (and controversial history)


🪞 The floor

  • Intricate marble mosaics

  • Slightly uneven and wavy from centuries of lagoon flooding


🏛️ Not technically a cathedral (originally)

Even though it feels like one:

  • It was originally the private chapel of the Doge (Venice’s ruler)

  • Only became the official cathedral later


🧭 What to notice when you visit

  • The mix of cultures: Italian + Byzantine + Islamic influences

  • Dim lighting → creates a mystical, almost otherworldly feel

  • Exterior domes and arches → almost look like something from the Middle East

After visiting the Basilica, we decided to stop for lunch at a nearby restaurant, Ristorante "Dallo Zio" San Marco. After sitting down indoors, we ordered the following items:

  • Drinks: Glass Grigio, Glass Merlot
  • Appetizer: Caprese con Bufala (Caprese Salad with Bufala)
  • First plate: Linguine alle Meraviglie (Linguini with Seafood Marvells)
  • Second plate: Filletto di Branzino (European Seabass)

The Caprese Salad was excellent. The Lignuini was delicious, but we had to crack some of the lobster and crab legs ourselves. The Branzino was light and excellent.

After lunch, we decided to see the Galleria dell'Accademia Museum. On the way there, we stopped at another exhibition of a lesser-known French painter, Jaques Cordier.

🎨 Jacques Cordier – Venise

This is a small but very atmospheric exhibition currently on in Venice, and it’s quite different from the big Renaissance museums like the Accademia. It’s more intimate, modern, and poetic.


📍 Where & when

  • 📍 Palazzo Franchetti (near the Accademia Bridge)

  • 🗓️ Feb 6 – April 10, 2026

  • 🎟️ Free entry

  • 🕒 Typically open 10:00–18:00 (closed Tuesdays)


👨‍🎨 Who was Jacques Cordier?

Jacques Cordier

  • A French painter who died young (late 30s)

  • Influenced by landscape painters and especially light-focused art

  • His style evolved toward soft, luminous, almost dissolving forms


🌫️ What the exhibition is about

This show focuses on the final years of his life, when Venice became his main inspiration.

👉 The key idea:

He wasn’t trying to paint Venice accurately—he was trying to paint how Venice feels.

  • Inspired by J. M. W. Turner after seeing his work in London

  • Paintings become:

    • More fluid

    • Less defined

    • Almost dissolving into light

We stopped by Moro Cafe for a quick drink and a light pastry. The Cafe has exceptional desserts, and Inna and I were impressed by the quality of the pastries. Plus, the view of the nearby Palazzo Cavalli-Franchetti was amazing.

At the Galleria dell'Accademia Museum, we put our coats into storage and walked around for about 90 minutes. Inna was hoping to see fewer religious paintings, but we saw mostly religious art.

🎨 Gallerie dell'Accademia

This is Venice’s most important art museum—the place to understand how the city saw itself, its power, and its beauty over centuries. If St. Mark’s Basilica is about religion and splendor, the Accademia is about painting, storytelling, and Venetian identity.


🏛️ What it is

  • A collection of Venetian painting from ~1300 to 1700

  • Housed in former religious buildings (a monastery and school)

  • Located right by the Grand Canal


🎯 Why it’s special

Venetian art is different from Florence or Rome:

  • Focus on color, light, and atmosphere

  • Less about perfect anatomy, more about mood and richness

  • Think glowing skin, dramatic skies, sensual textures


🌟 Must-see masterpieces

🖌️ The Tempest – by Giorgione

  • One of the most mysterious paintings in Western art

  • A stormy landscape with unclear meaning

  • Nobody fully agrees what it represents

👉 This is a “slow looking” painting—stand with it for a minute.


🔥 Feast in the House of Levi – by Paolo Veronese

  • Huge, theatrical banquet scene

  • Originally painted as the Last Supper—but got the artist in trouble with the Inquisition for being too wild

  • Full of characters, humor, and drama


⚡ Works by Tintoretto

  • Known for energy and movement

  • Dramatic lighting—almost cinematic

  • Look for bold compositions and action


💫 Works by Titian

  • The master of Venetian color

  • Rich reds, glowing skin tones

  • Emotional and powerful religious scenes


👑 Coronation of the Virgin

  • Earlier (medieval-style) Venetian art

  • Gold backgrounds like Byzantine icons

  • Shows where Venetian painting began


After 90 minutes in the museum, we grew tired and decided to explore more of Venice on foot. We decided to head to the beautiful Ponte di Rialto bridge.

Despite being very touristy, we enjoyed our time on the bridge and stopped by for a quick gelato at Suso Gelateria. We had been there last time, 10 years ago, and really liked the fig & walnut gelato flavor. Unfortunately, fig & walnut was not a flavor currently available, and we picked a few new flavors in two cups:

  • Boris: peanut butter, pistachio
  • Inna: opera, cherry

We didn't really love any of the flavors. Opera was too sweet. I like pistachio gelato with a stronger flavor (not watered-down). Perhaps our tastes had changed, or the Suso quality has dropped?

For dinner, we decided to dine inside our Baglioni Hotel Luna (as we had an 85 euro credit) at 19:45. We sat down at a corner table and ordered the following items:

  • Drinks: Sparkling water
  • First plate: Tartar di spigola (Seabass Tartar)
  • Second plate: Zuppa di Fragolino
  • Dessert: Lemoncello (free)
Although the Seabass Tartar was small, it was well prepared, and the delicious bread and freshly ground mint were served with olive oil and vinegar. The Zuppa di Fragolino soup was delicious too. Service was fast and efficient (as a 5-star hotel should have). The only part of the dinner we disliked was a nearby Russian-speaking guest who was swearing the whole time we were eating (apparently, good manners are not that common anymore).

Friday, March 20, 2026

In the morning, I woke at 07:00. During the night, there was a lot of noise (tourists banging their suitcases against cobblestones, car alarms blaring) that woke me a couple of times. I didn't get the best sleep, though the hotel was excellent in all other respects. I did have to leave the window open, as it was a bit stuffy inside, and this 5-star hotel does not have air conditioning.

After we dressed, we took the elevator downstairs for breakfast in the Marco Polo room. It was an excellent buffet, with all the usual items arranged neatly. I selected the following:

  • Drinks: Cappuccino, water
  • First plate: Scrambled eggs, sausage, veggies
  • Second plate: Yogurt with red currants, pineapple chunks, and granola
The breakfast was excellent, and the service was very fast and efficient. After breakfast, we walked downstairs and ordered a late checkout for 13:00 and a water taxi (160 euros to Marco Polo airport).

We decided to stroll around the city instead of visiting Palazzo Ducale (which we had seen 10 years ago). The weather was beautiful, and it would give us a chance to explore Venice further. We walked around the Castello neighborhood, and Inna stopped by to look at the many Murano glass souvenir shops.

For a coffee stop, we decided to try the Caffè Florian (the oldest European Cafe located right in Piazza San Marco. Caffe Florian opened on Dec 29, 1720. We sat down indoors and ordered the following:
  • Boris: Cioccolata in Taza (Hot Chocolate)
  • Inna: Blooming Teas
  • Treats: Biscotti Florian

The Hot Chocolate was not bad (though not as good as in Thierry, in Vancouver, Canada). Inna liked her hot tea. The Biscotti were quite ordinary; nothing special (and overpriced for the small quantity offered at 18 euros). Overall, I was not too impressed, except for the cafe's history and the beautiful indoor setting.

At 12;50, Inna returned from her shopping, and we repacked our bags and rode the elevator downstairs. For a few minutes, our elevator got stuck, and we had to push the alarm button to get attention. Eventually, it started moving, and we carried our bags from floor 1 to floor T. It was a bit unnerving to get stuck in a confined space.

At 13:00, we checked out of our room #358 and boarded the water taxi for Marco Polo airport. It was quite enjoyable to motor through various canals on the route to Marco Polo airport, and I took lots of photos. It was a bit sad leaving Venice - only one day seemed too short. We hope to return again!

We docked at Venice's Marco Polo Airport at around 13:30. Unfortunately, I realized a bit later that I forgot my eyeglass case, which had my normal (non-tinted prescription glasses). We waited in line through security, and then Inna stopped for 15 minutes at the Customs section, so she could get some VAT refunds for our purchases in Italy. There were multiple machines for doing the refunds, and it took some time to get all the refund processing started. Let's hope they actually succeed.

We re-packed the two MooRER coats that we purchased into our suitcases (I discarded some old shoes and old shirts to make space. We decided that it was time for lunch and stopped by the Villa Sandi/de Canto restaurant. We ordered the following items:

  • Drinks: Sparkling water, 2 x cappuccino
  • Boris: Caesar Salad with chicken & wine special
  • Inna: Buffalo Mozarella,

My Caesar Salad was not bad (for airport food) and reasonably priced with a glass of wine at 22 euros.

Our BA597 British Airways flight for London's Heathrow Airport was scheduled to depart at 17:40 (but was delayed).


Venice Trip Report

Highlights

Lowlights

  • Water taxi costs are very high (150 euros) to transfer from Marco Polo to San Marco's Square.

Links

Tuesday, March 17, 2026

Scholarly Padua (March 17)

At around 09:40, we started our 32-minute drive from Abano Terme to Padua. I had booked an 11:30 English-speaking tour for the University of Padua, and a 17:00 showing of the Giotto frescoes in the Cappella degli Scrovegni.

We selected the Park Padova Centro for parking near all the major attractions. It was not a bad location - about a 15-minute walk to the Palazzo del Bo (University of Padua). We arrived at the Palazzo del Bo a bit early and immediately noticed the graduation ceremony for recent University of Padua graduates. 

The graduation ceremony at the University of Padua is quite different from what you might expect in the U.S. or UK—it’s more personal, historic, and (often) a bit theatrical.

Unlike American universities, there isn’t a single “graduation day” for everyone.

  • Students graduate throughout the year, whenever they finish their degree.

  • The key moment is the final thesis defense (“discussione della tesi”) in front of a faculty panel.

  • Once approved, the student is officially awarded the laurea (degree).

👉 This makes graduation feel more academic and individual rather than a mass event.

One of the most distinctive traditions—born in Padua itself—is the laurel crown:

  • Graduates wear a wreath made of laurel leaves (“corona d’alloro”).

  • It symbolizes victory, knowledge, and achievement, going back to ancient Greece and Rome.

  • The term “laureato” (graduate) literally comes from this tradition.

You’ll see graduates walking around the city all day wearing it—it’s very visible and celebratory.

The “papiro” (funny public ritual)
  • Friends prepare a large poster called a “papiro”.

  • It includes:

    • Embarrassing stories

    • Cartoons or caricatures

    • A humorous (often risqué) poem about the graduate

  • The graduate must publicly read it aloud, often in a square or street.

👉 This tradition evolved from older formal recitations into something much more playful (and sometimes humiliating in a fun way). 

We heard this song repeatedly throughtout Padua, as we saw  graduates with laurel crowns (Note: all graduates are referred to as 'Dottore' - not just PhDs):

"Dottore, dottore, dottore del buco del cul, vaffancul, vaffancul!"

“Doctor, doctor, doctor of the [asshole], f*** off, f*** off!” 

At 11:30, our English-speaking tour of the University of Padua started, with Dana (an American student studying in Padua) guiding us through multiple rooms of the Palazzo del Bo.

The English-speaking tour of Palazzo del Bo took us to important historic rooms:

  • Ancient Courtyard – covered in centuries of coats of arms from students

  • Anatomical Theatre (1594) – the world’s oldest permanent anatomy theater. I can't believe that disections went on for 8-hours straight, non-stop in this closed space.

  • Anatomical Kitchen – where dissections were prepared and discarded (boiled)

  • Aula Magna (Galileo Hall) – where Galileo Galilei taught for 18-years

  • Sala dei Quaranta (Hall of the Forty) – portraits of famous international students, like William Harvey, Andreas Vesalius, Nicolas Copernicus

  • Medicine & Law halls

🎧 What the tour feels like
  • You hear about:

    • Galileo taught math and was the most popular teacher

    • Early human dissections (controversial at the time)

    • The university’s motto: freedom of thought

 Here are some more interesting tidbits about Galileo's teaching at the University of Padua:

Galileo Galilei spent nearly 18 years (1592–1610) teaching at University of Padua—and it was arguably the most productive and enjoyable period of his life. Here are some of the most interesting and lesser-known tidbits:

Galileo later described his time in Padua as the happiest of his life.

  • Why? The Republic of Venice gave scholars unusual freedom of thought

  • He could teach bold ideas without the same pressure he later faced in Florence and Rome

Galileo wasn’t just respected—he was popular and charismatic:

  • Students flocked to his lectures, often beyond official enrollment

  • He taught in a lively, practical style rather than dry theory

  • Many students came from across Europe just to study with him

Instead of just lecturing, Galileo demonstrated physics live:

  • Rolling balls down inclined planes to study motion

  • Testing ideas about acceleration and inertia

  • Challenging Aristotle’s long-accepted views

He didn’t invent the telescope—but transformed it.
  • He improved the newly invented telescope dramatically

  • Built versions powerful enough to observe the sky

  • Made discoveries like:

    • Moons of Jupiter

    • Phases of Venus

👉These observations would later support the heliocentric ideas of Nicolaus Copernicus.

He hustled for extra income. The university salary wasn’t enough, so Galileo:
  • Gave private lessons to wealthy students

  • Sold scientific instruments (like compasses and military tools)

  • Even designed devices for practical use in warfare and engineering

Galileo taught mathematics, mechanics, and astronomy—but always with practical uses:

  • Ballistics (how cannonballs move)

  • Engineering problems

  • Navigation

👉 This made him valuable not just academically, but to the Venetian state.

During his Padua years:

  • He had a long relationship with Marina Gamba

  • They had three children together

  • He lived more like a working intellectual than a distant academic icon

Because Padua was under Venice:

  • He was somewhat shielded from the Roman Inquisition

  • Only after leaving for Florence, did his conflict with the Church escalate

👉 Staying in Padua longer might have changed history.

When visiting Palazzo del Bo:

  • You can see the Aula Magna (Galileo Hall) where Galileo lectured and the platform he stood on (during his lectures)

In the Sala dei Quaranta (the room of 40), these are some of the greatest figures: 

🥇 1. William Harvey

👉 Why he matters:
He discovered that blood circulates continuously around the body—which overturned centuries of wrong ideas.

👉 What to notice:

  • He studied in Padua’s cutting-edge medical environment

  • His work connects directly to the Anatomical Theatre you’ll see on the tour

💡 If you remember one person, make it him—this is a true scientific revolution.


🥈 2. Andreas Vesalius

👉 Why he matters:
He basically invented modern anatomy by insisting on studying real human bodies instead of relying on ancient texts.

👉 What to notice:

  • He challenged errors from Galen that had been accepted for over 1,000 years

  • His work made Padua the center of medical science in Europe

💡 He represents the shift from “belief” to “observation.”


🥉 3. Nicolaus Copernicus

👉 Why he matters:
He proposed that the Sun—not Earth—is at the center of the solar system.

👉 What to notice:

  • He studied here before publishing his revolutionary theory

  • His ideas later influenced Galileo Galilei

💡 This is the moment humanity stopped being the center of the universe.

After finishing the English-speaking tour at 12:40, we wandered around the Palazzo della Regione, where restaurants had outdoor seating, and the farmers' market was in full swing. We looked at all the various produce, fish, and meats for sale.

We decided to see Padua from up high and purchased tickets (from a nearby Tourist Office) to climb the Torre degli Anziani, a medieval tower with beautiful views of the city, for 13:00. The 200+ steps were fairly easy, and we quickly reached the top, with gorgeous views of Padua below.

After taking countless photos, we decided to eat lunch nearby at TreQuarti Padova. We decided to sit indoors, as it was still a bit chilly outside. From our vantage point, we could see the funny antics of recent University of Padua Graduates, reading their "papiros" to laughs, applause, and singing of "Dottore, dottore, dottore del buco del cul, vaffancul, vaffancul!"

We ordered the following items:

  • 2 x Polpette (Meatballs)
  • 2 x Cichetto Misti (small sandwiches)
  • Lasagna ala Bolognese
  • Radicchio Therapy salad
  • Cal. Rosso Reserva (local merlot red wine)
  • Acqua Gas

I really liked the lasagna, and Inna liked her Radicchio Therapy salad. I did not care for the polpette or the cichetti. The red wine was delicious.

After lunch, Inna decided to see the M.C. Escher. Tutti i capolavori” (All the Masterpieces) art exhibit in the Centro Culturale Altinate San Gaetano, nearby.

This is a large, full retrospective:

  • 150+ works spanning his entire career

  • Includes iconic pieces like:

    • Relativity (impossible staircases)

    • Day and Night

    • Metamorphosis II

    • Hand with Reflecting Sphere

👉 It’s not just highlights—it’s a complete journey through his evolution.

Escher isn’t just “cool drawings”—this exhibit really shows why he matters:

1. Art + math fused together

  • Tessellations (repeating patterns)

  • Infinite geometry

  • Symmetry and transformation

👉 He basically turned mathematics into visual art


2. “Impossible worlds”

  • Staircases that go nowhere

  • Buildings that defy physics

  • Perspectives that break your brain

👉 The core idea:
What you see ≠ what is real


3. Interactive / immersive elements

Some parts of the exhibit include:

  • Installations where you experience illusions yourself

  • Spaces designed to make you feel “inside” an Escher world

👉 This makes it more engaging than a traditional museum.

After the wonderful M.C. Escher exhibit, we decided to stop by for a quick coffee at the Caffè Pedrocchi. This was supposed to be the cafe of Padua's intellectuals (but it didn't seem that way to me). We ordered the following items:

  • Boris: cappuccino
  • Inna: Viennese capuccino
  • Dessert: cake

The cappuccinos were excellent, but Inna thought that the apple tart would have been a much better dessert.

From the cafe, we walked straight to the Cappella degli Scrovegni, for our 17:00 showing of the Giotto frescoes. Once there, we had to wait and watch a presentation on the frescoes for about 10 minutes - this was to help equalize the temperature and increase longevity.

The frescoes were remarkable and hard to believe that they were completed in 1303-1305. We took lots of photos (and had just 30 minutes to see them, before the next group arrived).

The frescoes by Giotto di Bondone in the Scrovegni Chapel are one of the most important works in the history of Western art—they basically mark the moment painting starts to look human, emotional, and real.

Here’s how to understand them without getting overwhelmed:

  • Painted around 1303–1305

  • Commissioned by Enrico Scrovegni

  • Covers almost every inch of the chapel interior

👉 It’s not a single painting—it’s a complete visual story.


🎨 The big idea

Before Giotto:

  • Figures looked flat, stiff, symbolic

After Giotto:

  • People have weight, emotion, and presence

👉 This is often called the beginning of the Renaissance.

The walls are arranged in horizontal bands (registers), telling a narrative:

Top level:

  • Lives of Mary’s parents (Joachim & Anne)

Middle:

  • Life of the Virgin Mary

Main scenes:

  • Life of Christ (the core of the cycle)

Bottom:

  • Allegories of Virtues and Vices

👉 You literally “read” the chapel from top to bottom, left to right.